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GROUP
PRODUCTIONS
EKAANTHA SEETHA... a lonely furrow
(2006)
"Brilliant
choreography, a smooth amalgamation of different dance and music forms,
riveting performances and sheer artistic effort made Ekaantha Seetha...
a Lonely Furrow a memorable experience for lovers of classical art in Atlanta.
The brilliance
of the production lay in the smooth transition between different dance
forms, and in the capable handling of contemporary scenes within the traditional
framework. Also noteworthy was the effort to weave humor into a serious
dance form. The wedding scene in the third segment, or the everyday market
place scene; were particularly hilarious."
-
Veena Rao
http://nripulse.com/CityNews_Ekaantha_Seetha2.html
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"The detailed
research, the excellent yet unobtrusive musical score, the sensitive dance
choreography and tasteful costumes had come together seamlessly in a vibrant
panorama. This could not have been achieved without individual and collective
passion.
The dancers
were well coordinated and gave energy to the production.
the irony -
finally it is a man, the teacher, who gives Aparajitha the strength to
believe in herself and blaze her own trail."
-
Rupa Srikanth, The Hindu, September 15, 2006
http://www.hinduonnet.com/fr/2006/09/15/stories/2006091503210500.htm
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"..the point
to take home was that these women realized memorable achievements without
forsaking their culture or its "worthy traditions," as program notes stated.
Empowerment is within the reach of every woman (and man), although it very
well might be a life of hardship - that old "lonely furrow" to plow. This
was the essential theme of this interesting, but overly long, three-hour
production.
Even those
unfamiliar with the stories, the languages and the other cultural signposts
could follow the story outlines, thanks to the choreographers' dramatic
clarity and to the distinct body articulation of the performers, who hailed
from both India and the United States. Shantha Dhananjayan and Rathna Kumar,
a teacher and performer now based in Houston, provided lively interludes
of mime and English narration to ensure that the non-Asians in the crowd
didn't get lost."
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Laura Bleiberg, OC Register, Tuesday, October 17, 2006
http://www.thehorizons.com/cca/news/inter_news2.htm
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"Mr. Dhananjayan
took on a daunting task when he chose to choreograph three totally diverse
pieces that span three completely different eras. From the standing ovation
that the performance got at the Smithwick Auditorium, he clearly succeeded.
"
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Jessi Kaur
http://www.thehorizons.com/cca/news/inter_news3.htm
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"What stands
out in the entire play is the choreography done by the legends of Kathakali
and Bharatnatyam, the Dhananjayans. Not only did they mix several dance
forms to give the audience a glimpse of a rich tapestry that Indian dance
and music possesses, they presented each segment in a different genre from
classical to folk to contemporary music, while remaining within the realms
of classical traditions and classic stories.
The script
was crisp, and tremendous attention was given to every aspect of the presentation.
English was used to convey the intrinsic aspect of each story along with
expressions. Each segment stood out for innovation, the beauty of the costumes
and outstanding dancers. The casting was perfect, though one wishes one
could have seen more of the Dhanjanjayans as performers."
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Kavita Chhibber
http://www.atlantadunia.com/dunia/news/n242.htm
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Public
Comments
"We whole
heartedly enjoyed the program. It was well worth the time. Thank you so
much for arranging such excellent programs. I really liked the guy who
acted as Laxmana, his role in last part, Aparajita as a photographer was
hilarious. The whole marriage scene was well choreographed."
"We had the
great fortune to be present for Ekaantha Seetha. Bravo! Please continue
to bring wonderful programs to this area."
"It was indeed
a memorable evening. The performance was phenomenal and we enjoyed every
minute of it."
"It was a wonderful
show! Hats off to you for making is possible for us to see some real quality
performances."
"It was a nice
show and thanks for bringing it to Atlanta. My family and friends enjoyed
it. However I have few comments, Sometimes it was too lokadharmi. I have
seen Cleveland Alliance's productions. It lacked the elegance, creativity,
and sophistication of 'Living Tree' or 'Silappadhikaram'. The dancers in
the earlier production 'Silappadhikaram' were excellent, phenomenal; all
aspects of production were of higher quality. This reminded me of Sanghamitra.
I still enjoyed it."
"The ballet
was of Broadway calibre and I enjoyed immensely. I felt sorry for those
who missed the opportunit to witness such an excellent performance."
"It was a great
performance. All my students and Lasya, Abhinay and Ravi enjoyed the show
very much."
"Thanks for
organizing this absolutely 'Out of this world' event."
"We very thankful
to you for bringing a wonderful dance performance to Atlanta. We enjoyed
all the episodes (especially Vaidehi and comedy part of Aparajita)."
"Ekaantha Seetha
was a feast to the eyes!!!!!!! We really enjoyed it."
"Thanks for
organizing the program. Suhasini as young Lakshmi Bai was wonderful, she
could have continued through out. Aparajitha played by Pavitra stood out.
Urmila brought out the power in the character. I expected more from Shrilatha.
I have seen her more than once and was always impressed by her Abhinaya
but not so much as Sita."
"Thanks for
organizing the program. Suhasini as young Lakshmi Bai was wonderful, she
could have continued through out. Aparajitha played by Pavitra stood out.
Urmila brought out the power in the character. I expected more from Shrilatha.
I have seen her more than once and was always impressed by her Abhinaya
but not so much as Sita."
"Lav and Kush
were the best male dancers. Music quality was harsh. Overall good, though
many scenes could have been totally avoided." |
EKAANTHA SEETHA... a lonely furrow
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