IMPORTANT
SOLO / DUET PRESENTATIONS
NANDANAAR CHARITAM
The popular Tamizh
legend immortalized by the great poet Gopalakrishna Bharati, is the story
of a down - trodden who attains Godhood. The story provides inspiration
to break caste and religious barriers and stresses on national integration.
Music is by Papanasam Sivan. Dhananjayan choreographed and performed as
Nandanaar in the Tamizh film Kann Sivandhal Mann Sivakkum directed by Sridhar
Raj in 1983. He later made it a solo dance drama, which has been performed
umpteen number of times, even in remote villages. His powerful portrayal
of Nandanar is his forte in solo performance and has moved the audience
to tears on many an occasion.
Dhananjayan
presented a segment of Nandanaar in mid 2002 at Jothi Raghavan’s Arpana
festival in Boston, on special request from the audience.
Synopsis
The story
of Nandan, an untouchable, is the finest example, promulgating the philosophy
that there is no caste, creed or religion in the eyes of God. Dhananjayan
took a few important incidents in the story and presented it in a solo
dramatic depiction. The songs were tuned by the late Papanasam Sivan for
the feature film Nandanar in the forties.
Nandan induces
his friends to go to Tiruppangoor Shiva temple, only to be disappointed
to see the Bull obstructing the sanctum sanctorum. In fear of being despised
by his colleagues, he prays to Shiva and Shiva asks Nandi to move a little,
so Nandan and his friends could see the idol.
This incident
further deepens Nandan’s urge to go to Chidambaram and he craves the permission
of Vediyar (the landlord) who chides him saying that an untouchable has
no right to worship the Brahmin’s God. Finally, Nandan is asked to perform
an impossible task of harvesting 40 acres of land overnight and then go
to Chidambaram. Nandan’s faith in God did prove good and he is amazed to
see the harvest done overnight. Thus, Nandan goes to Chidambaram and stops
at the outer wall wondering whether he would be permitted inside. In the
dreams of the priest, Shiva commands them to allow Nandan inside. And to
test his austerity, he is asked to enter the pyre. He comes out unhurt
and finally submerges with the Lord.
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