GROUP PRODUCTIONS
SAMBHAVAMI
YUGE YUGE - PART 1
Sri Krishna Jananam (2008)
Sri Krishna Jananam,
a production commemorating the 40th anniversary of Bharatakalanjali, premiered
for ISKCON, Bangalore for their annual Festival.
Produced by
Bharatakalanajli with partial funding from ISKCON
Artistic direction
& production co-ordination: V.P.Dhananjayan
Choreography:
Prof. A. Janardhanan, artiste and former Principal of Kalakshetra, Chennai
Music composition:
Mysore S. Rajaram, Former Director, Kalakshetra, Chennai
Dancers: Bharatakalanjali
Artistes & Graduates from Kalakshetra. Chennai
Brief Synopsis
Dhyana Slokas
Episode
1
Mother Earth,
overburdened with the evil activities of various kings, approaches Lord
Brahma and informs him of these evil forces. Lord Brahma accompanied by
lord Shiva and other demigods, decided to approach Lord Vishnu, the Protector.
Lord Vishnu promises to appear on earth to annihilate the demons, protect
the devotees and establish righteousness. He informs them that the incarnation
will take place in the Yadu Dynasty.
"Paritranaya...........
Sambhavami Yuge Yuge"
Episode
2
The leader
of the Yadu Dynasty is king Ugrasena, ruler of Mathura. His son Kamsa is
a demonic ruler who gives his sister Devaki in marriage to a
pious prince Vasudeva.. As per custom, the bride is taken in a procession
to the groom's residence. Kamsa who loves his sister Devaki very
dearly personally drives the chariot.
Suddenly, an
ethereal voice "ASAREERI" coming from the sky informs him that the eighth
child of Devaki is destined to kill him and that he is a fool to rejoice
over his sister's wedding. Furious, Kamsa immediately takes out his sword
to kill his sister. Her husband Vasudeva pleads for mercy and promises
to hand over all their children to him as soon as they are born. Kamsa
relents as Vasudeva is known to keep his word.
Episode
3
Kamsa's darbar
� Sage Narada informs Kamsa that the Gods had a meeting with Lord Vishnu
and that Lord Vishnu promised to be born as the son of Devaki and Vasudeva
and that child will be his enemy. Kamsa immediately throws Devaki and Vasudeva
into jail. He also imprisons his own father and declares himself the king.
Kamsa kills the first six children born to Devaki.
Episode
4
Time has come
for Lord Vishnu to appear on earth. Seeing the radiant Devaki, lord Brahma
accompanied by Lord Shiva, Indra and demigods secretly visits her in jail
to praise the Lord and wish her well.
Episode
5
Group dance
� The gopis of Nanda gokula celebrate the advent of Lord Krishna.
Episode
6
In jail �
Lord Vishnu appears before Devaki and Vasudeva in all his glory and tells
them what to do. Vasudeva takes the new born baby to Gokulam and brings
back the girl child born to Yasoda.
Episode
7
On Vasudeva�s
return back into the jail, hearing the cries of the newborn child, the
guards inform Kamsa.
Episode
8
Devaki pleads
with her brother to spare the girl child. Kamsa is adamant and when he
tries to kill the baby, she flies to the sky and appears as Durga, advises
Kamsa not to unnecessarily kill children � as the one who is to kill him
is already safe somewhere else.
Episode
9
Kamsa is repentant
for having killed his sister's children mercilessly and begs pardon of
Devaki and Vasudeva and sets them free.
(End of Part
1 - "Sri Krishna Jananam" of "Sambhavami Yuge Yuge")
CAST
Sutradhari
(Dancer): GAYATRI
Bhoodevi
(as a cow):
VIJNA
Lord Brahma:
SHIJITH NAMBIAR
Lord Siva:
UTTIYA
Lord Indra
& other Gods:
UMESH
Kamsa:
GOPU
Devaki:
DIVYA
Vasudeva:
SHAFEEQ
Ugrasena:
UMESH
Court Dancers
:
1) KEERTI, JISHA, PARVATI, VARSHA, ATHENA,GAYATRI
2) KEERTI, JISHA, VIJNA, VARSHA
Sage Narada:
AJEESH
Citizens
(6 female dancers):
KEERTI, JISHA, PARVATI, VARSHA, ATHENA, GAYATRI
Sri Krishna
(as Lord Vishnu):
HARI
[Assuming
the form of a human child]
Guards
(2 male dancers):
1) UMESH [Charioteer]
2) UTTIYO, SHIJITH NAMBIAR
Yamuna
(4 female dancers):
KEERTI, JISHA, VIJNA, ATHENA
Finale
(Mangalam):
VIJNA, GAYATRI, ATHENA, PARVATI
ACCOMPANISTS
Nattuvangam:
Shanta Dhananjayan
Vocal:
Sai Shankar, & Aditi
Mridangam:
Ramesh Babu
Flute:
Sunil Kumar
Violin:
Eashwar Ramakrishnan
Maddalam,
Khol & Tabla:
Jaya Sankar
Choreographer's
Note
I deem it
a privilege to choreograph this "Sri Krishna Jananam" for Bharatakalanjali
in commemoration of their 40th year of founding, along with the artists
of Bharata Kalanjali and few of my students graduated from Kalakshetra.
The great music composer Sri. Mysore S.Rajaram (Former Director, Kalakshetra,
Chennai) and Smt. Vatasala Vedantham had approached me earlier to produce
this dance drama independently, but working with an established Institution
like The Dhananjayans' Bharatakalanjali, Chennai, makes it comfortable
and rewarding.
This Naatya
presentation is based on verses mainly taken from the great epic "Srimad
Bhagavatam". The story illustrates the cherished belief of 'Bhakti'. Verses
compiled and music composed by Mysore S. Rajaram falls under strict classical
mode and in the traditions of Kalakshetra dance dramas.
I have to mention
that this presentation has been no easy task. The Samskrita sloka (verses)
from Srimad Bhaagavatham are abstract and highly philosophical. Translating
the verses into visual form through the language of 'naatya' is a challenge.
Added to that, one has to be able to transfer the feeling of sanctity and
divinity of the verses to the audience. It is my humblest wish that the
audience received the production in the spirit of Bhakti in which it was
conceived and created.
I found it
extremely difficult to get all artistes together for a smooth flow of rehearsals
�the most vital aspect of a successful production- how ever freelance artistes
like Gayatri Balagurunathan, Pramila Ramesh, Gopukiran & Divya Sivasundar
came to my rescue to learn others parts as well and teach the respective
parts to the other participants.
Sai Sankar
(Kalakshetra) who learned the music composition from Rajaram has been extremely
co-operative and helpful in choreographing the production during the summer
days. Shanta Dhananjayan graciously took over the responsibility of conducting
and perfecting the mood and movements of the artistes spending much time
rehearsing with them. She has been working on the costume side as
well, to bring an overall aesthetic value to my work.
On the whole
I personally feel this production will have an appeal to the connoisseur
audience and the others will look into the angles of Bhakti Bhaava embedded
in such themes of immortal spiritual values. And particularly Sri
Krishna's stories in any art forms give everlasting pleasure to all, physically,
mentally and spiritually, the ultimate aim of 'naatya'.
- Prof. A.
Janardhanan
Artistic
director's note
I am very
happy to produce Sri Krishna Jananam for ISCON, Bangalore and thank
them for their partial funding of the production. Having choreographed
and produced nearly 35 productions of International acclaim under the Bharatakalanjali
banner, we are happy and privileged to have Prof. A. Janardhanan (Gurubhai
and my Guru Chandu Panikkar Asaan's talented son) my junior
contemporary in Kalakshetra and a versatile artist of high aesthetic quality
in whatever he does. Having worked with the legendary Rukminidevi
Amma, and taking lead roles in her productions and also doing choreography
for couple of productions for Kalakshetra, choreographing this Sri Krishna
Jananam is a child's play for such an experienced choreographer.
The music has
been already set for this dance drama by S. Rajaram in chaste Carnatic
traditional style falling in line with the Kalakshetra format.
So, as the artistic Director I did not have the inclination or opportunity
to lay my hands in the already set musical format.
We have engaged
only professionally experienced artistes of very high caliber to ensure
a quality presentation of a high standard. My confident conviction
is that the underlying Bhakti Bhaava or the Krishna consciousness will
keep the audience engrossed.
- V.P.Dhananjayan,
Bharatakalanjali
SRI KRISHNA
JANANAM - Photo Album |