GROUP PRODUCTIONS
SITAA RAAMA KATHAA / RAAMANAATAKAM
(1993) (Collaboration)
As the mythology
of Greece and Rome had fed the arts of the West, so has Ramayana fed the
arts of India.The story of Sita and Rama is the subject of the Hindu epic
Ramayana, which has provided entertainment and spiritual nourishment for
countless people in India for over 2300 years. The tale describes lofty
values to live by, love for fellow beings and strengths and weaknesses
of human nature. The performance in Bharatanaatyam and Kathakali uses verses
from the immortal Valmiki Ramayanam, Arunachala Kavi�s 18th century opera
Ramanaatakam, Tulsidas�s 17th century Rama Charitha Manas, Kamba Ramayanam
and songs written by the lyrical 17th century Carnatic music composer Muthuswami
Dikshitar.
This presentation
is unique in 2 different aspects. Firstly, the entire story of Ramayana
was related using episodes not commonly seen in other depictions. Secondly,
it brought alive the characters of the Ramayana without resorting to elaborate
costumes or props. The dancers adorned simple dance costumes and brought
forth characters through interpretive dance. The dancers took on different
roles, sometimes even switched roles.
With Singapore
India Fine Arts Society, it was choreographed for International Art Festival
of Government of Singapore in1986. Music composed by Turaiyur Rajagopala
Sharma.
Synopsis
The invocation
is a salutary dance addressed to Lord Ranganatha, reclining at the temple
in Srirangam in Tamilnadu. It encapsules the tale of Rama, Sita and Sri
Krishna.
Baala Kaandam
- Book of Youth:
-Rama, the
eldest son of King Dasaratha of Ayodhya, along with his brother Lakshmana,
is taken to the forest by sage Vishwamitra to help save the sages from
marauding demons. Mission accomplished, Rama and Lakshman are then led
to the city of Mithila, the land of the beautiful Sita. In Mithila, Sita
is seen playing a game of ball with her friends. During the game, the ball
rolls across the path of Rama who happens to pass by and Rama and Sita
get to see each other.
-Rama has succeeded
in winning Sita�s hand by breaking Shiva�s bow during the Swayamvara. Sita�s
father King Janaka, announces the wedding and the citizens of Mithila joyously
prepare for the event.
Ayodhya
Kaandam � Book of Ayodhya:
-Rama and
Sita have been living happily in Ayodhya and Dasaratha announces Rama�s
coronation. Manthara, a hunchback, is determined to stop the coronation
and approaches Kaikeyi, Dasaratha�s third queen and stepmother of Rama.
Kaikeyi is convinced and asks Manthara for a way to stop the coronation.
Manthara reminds Kaikeyi of the 2 boons that the King had promised her
long ago and asks that one boon is for her son Bharata to be crowned, the
other that Rama be banished to the forest.
-Kaikeyi rewards
Manthara with gold, then assumes the demeanor of an enraged woman. When
Dasaratha sees her, he is aghast at her dishevelment and unhappiness. Kaikeyi
reminds him of the 2 boons he had granted her when she had saved him from
disaster by steering his chariot to safety. She asks that her son Bharata
should rule the land and Rama be banished to the forest. No amount of pleading
works and Dasaratha falls unconscious in grief.
-Unable to
be parted from Rama, Sita and Lakshmana join Rama in his banishment. The
citizens try to stop them. Subsequently the trio cross the Ganga in Guha�s
boat and their travels lead them to the Panchavati forest. Bharata angrily
denounces his mother Kaikeyi for her treachery, goes after Rama and pleads
with him to return, but in vain. He wistfully agrees to rule on Rama�s
behalf till he returns.
Aaranya
Kaandam � Book of Forest:
- Demoness
Soorpanaka, the sister of Ravana, spies Rama in the forest and approaches
him. Smitten by him, she assumes the form of a beautiful woman and tells
him that she had remained single all the while in anticipation of his arrival,
that he and she were meant for each other. Both brothers spurn her advances
and finally, Rama asks Lakshmana to cut off her nose.
-Enraged by
the humiliation meted out to his sister, Ravana plots to avenge the insult
by abducting Sita. For this, he sends Mareecha in the guise of a golden
deer, to entice and lead Rama and Lakshmana away from Sita.
- Sita spots
the beautiful deer and asks Rama to capture it for her. Happy to oblige,
Rama chases after the deer. From a distance, a distressed cry is heard
and Sita urges Lakshmana to rescue Rama. Knowing the connivance of the
demon, Lakshmana draws a line in front of Sita and asks her not to cross
it till he returned. After he departs, Ravana, in the guise of a sage,
tricks Sita into crossing the line and abducts her.
- As Ravana
carries Sita away in his Pushpaka Vimana, the great bird Jatayu confronts
him. In the ensuing battle, Ravana chops off Jatayu�s wings and carries
Sita Away.
Kishkinda
Kaandam � Book of Kishkinda:
- Rama and
Lakshmana arrive at Kishkinda, the monkey kingdom, during their search
for Sita. Rama is befriended by chief Sugreeva and his minister Hanuman.
Rama offers to ensure Sugreeva�s victory over his dominating elder brother
Vali. There is a duel between the brothers and an arrow from the hidden
Rama kills Vali. (Rama pays for this act by never achieving happiness in
his life.)
Sundara
Kaandam � Book of Beauty:
- As promised,
Sugreeva sends his army of monkeys in different directions to search for
Sita. Hanuman reaches Sri Lanka. In the Ashoka Vanam, a captive Sita, surrounded
by demonesses laments her fate. She tries to strangle herself when she
hears the voice of Hanuman chanting the name of Sri Rama. Hearing these
words, Sita asks Hanuman who he is, to which Hanuman responds by describing
Rama as he knows him. Convincing Sita about his identity, Hanuman requests
Sita to give him some jewel as proof of his having met her.
Yuddha Kandam
- Book of War:
- Hanuman
returns to Rama with news of meeting Sita. Rama decides to wage war against
Ravana, with the support of the monkey army. The action packed scene depicts
the building of the bridge over the mighty ocean by the army of monkeys.
A little squirrel helps them in their job. The army crosses the bridge
and heads for battle.
- A big battle
has been fought between Rama and Ravana and the celestial beings describe
the action.
- After the
battle, everyone returns to Ayodhya and Rama is crowned with pomp and festivity.
�In 1976
I proved that one can make a minimalist presentation of a traditional grandiose
theme in the way I presented Rama Natakam. I made it more elaborate later
on by incorporating Tulsidas� Ramayan, Ezhuthachan�s Malayalam work and
some scenes from Kannada and Telugu works too, the same thing made more
accessible to a wider audience and we called it Sita Rama Katha. It was
our way of giving importance to Sita. We have taken this production all
over the world, The India Festival in Russia, in SE Asia. For the Singapore
Festival, we went there, selected local dancers and with a cast of about
100, we produced it for the Singapore Govt. It was adjudged the best
dance production of that festival.�
SITAA RAAMA KATHAA / RAAMANAATAKAM
(Collaboration)
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