GROUP PRODUCTIONS
SHIVA SAKTHI VEL (Tamizh)
�We wanted
to bring in dance, the essence of the Shiva Parvathi concept of ardhanariswara
and birth of Kartikeya. Shanmugam wrote beautiful lyrics. In the ardhanariswara
segment, I performed completely in Mohanam and Shanta performed totally
in Kalyani. When Shiva and Shakti merge, the ragam merged into Mohana Kalyani.�
Poet Shemmanarkoil
Shanmugam�s Tamizh poems on the birth of Muruga is a gripping dance drama
with just three characters Shiva, Parvathi and their son Kartikeya. Music
is by Reji George and T K Padmanabhan under the guidance and direction
of Dhananjayan.
Sometime in
1972 or 73, someone had recommended the Dhananjayans to Shemmanarkoil Shanmugam
as being receptive to using lyrics of contemporary poets for dance. He
was working then in South India Shipping Corporation. He visited the Dhananjayans
and after introducing himself, wrote a poem on the spot on Muruga, like
a kavadi chindu. The entrance of Muruga is beautifully expressed in verse,
something like the complicated lyrics �muthai�� penned by Arunagirinathar.
A lot of Shaivite
philosophy in Tamizh has been incorporated in Shiva Shakti Vel, generally
performed in the second half of an evening�s presentation.
LATEST VERSION
Choreography:
The Dhananjayans
Production:
Bharatakalanjali, Chennai.
�We have
revived one of our early Tamizh dance drama productions(1984). The uniqueness
of this dance production is that it is very well within the traditional
ambit, yet very contemporary in it�s outlook and presentation. The
movements vocabulary, and suggestive expressions are very refreshing to
both traditional and contemporary audience.�
The main roles:
Shiva : Suryanarayanamurthy
Shakti: Anusha
Natarajan
Child Murugan:
Sandhya Mohan
Young Murugan:
Praveen.
An exciting
fight scene between Tarakasuran (T.Unnikrishnan) and Murugan is choreographed
by one of our senior artist, T.Unnikrishnan.
The other dancers:
Sandhya Murali, Sunitha Jagadeesan, & Deepthi Vishnu Bharathi, and
Pradeesh.
Scene I:
Paarvathi
in a casual conversation with her Lord Shiva, enquires about the secret
of creation and significance of the Nataraja Tatwam. Siva explains
the purpose of His cosmic dance and the stories of moon and Ganga adorning
his head.
Scene II
Suddenly the
cries of Devas and humans tortured by Taarakaasura reaches Paarvathi's
ears. She requests Shiva to find a solution to destroy the arrogant
demon. Shiva says without the help of Shakti He cannot do anything.
Out of their united power emerges the great Jyothi(fire) which splits into
six segments and falls into the lotuses as six babies. Mother Paarvathi
embraces them all to find the six headed Shanmuga.
Scene III
Muruga asks
His divine parents the purpose of his birth. The Lord commands his son
to destroy the Demon Taarakaasura for which they present him with Shakti
Vel (a divine weapon, spear � Vel). Muruga starts on His mission.
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